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THE MAN WHO
Thought He Knew Too Much

A HIGH-OCTANE WHODUNNIT

Wes Anderson meets Hitchcock meets Spaghetti Western in this multi-award-winning, intercontinental, inter-genre, cinematic caper of accusations, accidents, and accents. Roger, a Frenchman in 1960's New York, has spent years following the same predictable routine, until a minor delay saves him from an explosion. Throwing his ordered world into chaos, Roger chases his would-be assassins around the globe. Raucously funny and endlessly inventive, this Lecoq-trained theatre company delights and stuns with live, original music and virtuosic acrobatics in this fast-paced, OFFIE-finalist whodunnit.

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About Voloz

Hailing from three different countries and brought together by two years of study at L’École Internationale de Théâtre Jacques Lecoq, Voloz is passionate about making theatre that is fast-paced, immediate, and visceral. Rather than engaging audiences' rational brains, we ignite audiences’ imaginations with a whirlwind of images and sounds, to tell stories that can be understood emotionally before they are understood intellectually. 

Voloz’s work doesn’t rely on intricate sets, sound, and lighting to tell a story, but instead utilises the body, voice, and object theatre to spark the imaginations of theatre aficionados and first-time theatre-goers alike. We have a uniquely non-hierarchical structure; all four members work collaboratively to write, direct, act, produce, and design our shows.

How To Support Voloz Collective

Meet The Team

Awards and Press

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Broadway World

Theatre Bubble

BruceOnTheFringe

The Scotsman

WhatsOnStage

Daily Mail

Broadway Baby

North WestEnd UK

The List

Merv' Stutter

Bristol 345

Everything Theatre

Theatre Weekly

The RECS

EdFest Reviews

UK Theatre Web

Zone Critique

Starburst Magazine

The ReviewHub

Dark Chat

"This is physical theatre at its most immaculate"

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